Alan Wuorinen

New American Music Made in Boston

Bright Paper Werewolves

Filed under: Uncategorized | Tags: | November 8th, 2010

“…the club is open”

This is less of a review, (as I am a fan and my judgement will always be clouded when it comes to Bob Pollard and GBV), and more a recounting of a night that I will hold in my memory with a few select others as  a “great”.

As some of you may know, my wife is now 7 months pregnant. When I bought two tickets to Guided By Voices “Hallway of Shatterproof Glass”, we knew we were expecting a baby, and I did the math on where we’d stand by the time the show was upon us…7 months…pretty close to prime time there. I felt a little guilty about dragging my very pregnant wife attend such a beer-y and loud show, but in the end liked the idea of that little person being exposed to GBV before they were even born. Hearing rock music’s perfect imperfection, what I consider music at  it’s most life affirming and honost , and the cornerstone of my musical foundation, felt right to me. (That and Laura is also a big fan, and wanted to go)

So, last Friday we went to see Guided By Voices at The Paradise. I, like almost everyone at the sold out  show, had been waiting for what I hoped would be a great night of miller high life, smiles, and too close to the sun rock and roll…I was not disappointed.

I’m not much for recording my life story in video and pictures, but I meant to bring my flip to record the show, but forgot and left it at home. I was going to use my phone and shoot some video and take some nice pictures of Mitch and Bob mid jump/chug/sneer, but before they even started playing, my battery died. It may have been just as well for the bitter-sweet night of performers and audience feeling frantically young again, that I would have to live in the moment that was “A Salty Salute” and “Awful Bliss”, sing along with “Bright Paper Werewolves” and “Striped White Jets” and raise my beer to “Motor Away” rather than watch a shakey-cam version of the whole affair the next morning while nursing a *mild* hang-over. It felt right to have to let it wash over me rather than try to grab onto the slippery strands of youth that were pouring off the stage and through our ears.

Bitter-sweet in the way they always are: their last-gasp, last-chance-to-tell-you, almost too wasted and burned out to convey majesty. But they do tell you. In the most perfect way anyone could in under two minutes. Thank you Bob and Co, you guys always know the right things to say.

“don’t stop now, don’t stop now”

1st session at Q Division with the Moontower done

Filed under: Recording | Tags: | October 2nd, 2010

U-47

Last weekend the longwalls banged out the basic tracks for our new EP “careers in science”. Amazing time at our friends the moontower’s new digs at Q Division. On Saturday we were able to get all of the drum tracks

drums baby, drums

and almost all the bass tracks

dan london

Brandon and I did all the basic acoustic and electric tracks on sunday and got some really rough mixes to take home. We are not back in to do overdubs for a couple of weeks, which is actually a good thing, since we need some time to figure out percussion, guitar solos, and for me, pedal steel parts for some or maybe all of the tracks.

pedal steel

I dunno how much steel is too much, but it’s really fun to figure it out.

So far, even in it’s very rough state, this is our best effort so far. Stay tuned for some more updates and maybe a few sample tracks.

Paul McGuinness thinks you are killing art.

Filed under: music business | Tags: | September 18th, 2010

In the most recent issue of Rolling Stone, Paul McGuinness, manager for the near-geriatric Bono and U2, plots out his reasoning of the fall of the recording industry and what is to be done to make it viable again…viable again for him, the large record companies that have dominated the industry for most of its existence, and the artists whose creation he seems so desperate to protect. Forgive me if I doubt his intentions as being anything beyond protecting his meal ticket, and why shouldn’t he, I know I would. It’s his disingenuous attempt to expand the argument to the wider world of art that bothers me.

Art and it’s production is under threat, Mr McGuinness tells us:

“Indigenous music industries from Spain to Brazil are collapsing”

Collapsing?!? My god, if something isn’t done soon, than how will “indigenous” peoples make music?  How will “indigenous” people of Spain produce music without the guiding hand of Time Warner? Will all the little people of the world still sing their songs if Mr McGuinness can’t whet his beak? Jesus Tap Dancing Christ.

and

“A study endorsed by trade unions says Europe’s creative industries could lose more than a million jobs in the next five years”

Well, a union backed study should be completely objective right? Hmm, a study back by the union while they were trying to push through legislation in Europe to strengthen copyright and piracy laws. Just how was this cataclysm of the arts community calculated? Somewhere near the dramatic cows ass that the data came out of I’m sure.

So why the fall? He places most of the blame on ISPs who allow all of us to file share. He thinks they should be sharing their profits with the recording industry, which he seems to think are swelling because people are trading Joshua Tree online without paying for it:

“Let’s get real: Do people want more bandwidth to speed up their e-mails or to download music and films as rapidly as possible?”

I know that I need more bandwidth for online gaming, streaming movies on netflix, and online apps like the ones I use every 5 minutes at my day job (like online seminars and training, customer database contact and management software, and diagnostic programs), but who am I.

The whole argument basically is constructed to support his trumpeting of subscription services (he mentions Spotify 3 times, so I can only imagine that he is financially tied to it) or, in his wildest dreams, profit sharing with the blood sucking ISPs that are stealing all his lunch money. He goes so far as to lament all of the influence that Telcoms have in government, that it’s because they have lined congressional pockets that they aren’t being strung up on behalf of the poor ‘ol record companies, who are just trying to spread the art around. Forgive me if I don’t shed any tears. Let it burn. I don’t care. How will art be made without the music industry heavy hitters? The same way that it was made before and during their reign…by people who want to make music out of love and enjoyment for the art form.

One last addendum to this rant; The artwork that accompanies Mr McGuinness’s article is that of a vulture, consuming music notes while sitting on a guiar neck. Who is this supposed to depict? The ISP that gets the intertubes into my house? No, It would seem to me that it’s us, the consumers that they are representing there. By not forking over cash to the record companies, we are preventing them from nurturing the next generation of great musical talent, because there is no way that musicians could develop their voice without a gulf stream 5 and champagne. We are apparently killing art. I doubt we have that kind of power, and I’m pretty sure that people have made art under more stressful conditions.

Super Mario Bros @ 25 / Alan @ 35 /

Filed under: video games | Tags: | September 14th, 2010

The 1st time that I laid eyes on super mario bros I was as a 9 year old.  

The summer after 4th grade, and I was at the house of a very wealthy classmate. They had stables and airplanes, servants and tennis lessons, and a entire room for legos. An entire room – full of Legos. But I really didn’t care that day because some of my other friends had told me they had something no one else had. They had a Famicom system straight from Japan. They had a game system that put all others to shame. You couldn’t even buy it in the US yet.

 I spent a weekend playing excite bike and super mario bros till I felt sick. It was incredible. It made the Atari look like pong. it made pong look like connect four. I could never go back again after I had seen world 1-1. The memory of playing it for the 1st time is very clear in my mind and  I remember the small desk in the room off of my friends huge spiral staircase entrance where the nintendo lived very well. It’s a good memory. When I hear the opening “doo doo doo doo doo doo! doo!” from SMB I can feel the mario fever that I had back then.

 I’d like to think that the game stands the test of time, and that people 100 years from now will appreciate it’s balanced game-play, cute character design, and cool music. It’s made it through at least two generations so far, as my young nephews all have played and loved the game and all its progeny. Time will tell, and I have my hopes.

Without too much gushing,  Shigeru Miyamoto, the game’s creator,  is the Bach of the gaming community for me – he laid out the immutable rules of game design and followed them to a T. There are greater works, to be sure, just like Mozart and Beethoven surpase the old master, but the classic that is video gaming’s Suite for Cello Solo No.1 in G, BWV 1007  will for me always be relevant and fun to play.

Happy birthday Super Mario Bros.

Homecoming

Filed under: demos, song writing | Tags: | September 12th, 2010

 

This is the newest song I’ve written, and demos are just easier these days if I set up the camera and push play…

Nine Planets Without Intelligent Life

Filed under: comics, robots, sci-fi | Tags: comics, robots, sci-fi | September 12th, 2010

Robots explore the solar system after the fall of humanity.

Appalachian Decay

Filed under: American decay | Tags: | September 12th, 2010

Lately I’ve been fascinated with urban decay, with images of metro Detroit coming to mind foremost – crumbling apartment buildings and empty malls, places once teaming with activity, all vacant and being reclaimed by the environment, turning back into the rural farmland that it was 100 years ago.  Like old west mining towns that dry up and turn into ghost towns after the silver was all dug up. It’s auto parts instead of silver now, but the fall into abandonment and ruin feels pretty similar.

 It’s probably all the apacolyptical movies from when I was a kid that draw me to it…mad max, day of the comet, Omega man, Terminator…

Anyway, it’s always amazing to me when you see one of these areas which obviously had hundreds or sometimes thousands of people occupying it; living, working, dying, and then over time, abandoning it. Whats left is such a strange shell, all it’s old bones, like animal bones you find in the woods. It’s sad to me too - all the hope that goes into building a house, perhaps generations of people living there, and then it’s left to rot, and all those memories, good and bad, are all lost to vines and birds and rain and snow, fire and rodents.

Which brings me to Ghosts in the Hollow from Jim Lo Scalzo on Vimeo. The tie-in to my family’s Appalachian roots (they were farmers, not miners, but that’s where my mother’s side of the family was from) grabbed me, but it’s easy to be taken in by the quiet beauty of these forgotten mining towns.

Ghosts in the Hollow from Jim Lo Scalzo on Vimeo.

The longwalls head back into the studio

Filed under: Recording | Tags: | September 12th, 2010
The Longwalls are heading back into the studio in a couple of weeks to start working on our new release, “Careers in Science”. It’s looking like we are going to put two songs that Brandon has written, three of mine, and one of Dan’s on the record. Throughout the process I will be posting pictures of rehearsals and recording sessions, and posting sample video and audio…
 
Zelda

Zelda

Four Archetypal Hollywood Role-Models…

Filed under: Uncategorized | Tags: | March 21st, 2010
 

or

 “the importance of having a good time, kicking ass and taking names, having a sense of humor, and not getting blown up.”

While at diner last night, the subject of the 4 movie characters that you can look to as role models came up.  This is not some sort of “life’s little instruction book” or “douchebags I’d like to meet in heaven”. It’s just a conversation we had. These are just characters with admirable qualities that we all agreed were ones we would like to emulate to get through life successfully.

My brother-in-law Bob brought the characters to the table and Laura expanded upon it, so I’ll give them credit for the list. This is just my take on it:

Here they are, in no particular order:

Al Czervik - “Caddy Shack”

This steak still has marks from where the jockey was hitting it

"This steak still has marks from where the jockey was hitting it"

 Al Czervik had a good time, all the time. One quarter of who you are should be Al. I guess Viv Savage from Spinal Tap had a very similar philosophy, “have a good time, all the time”, but I think I like Al’s presentation a little better. Viv Savage kinda creeps me out with his Rick Wakeman keyboardist/cult member white robes…

 

The Man with No Name – Sergio Leone’s “Spaghetti Westerns”

get three coffins ready...my mistake, four coffins

"get three coffins ready...my mistake, four coffins"

 The man with no name kicked some serious ass and never hesitated to exact brutal vengance. Devote a quarter to the man with no name and people will be sorry if they fucked with you. They will also probably not ask you to help them paint their house or go into a barn alone with you.

Harry Crumb – “Who is Harry Crumb?”

My reputation precedes me. Otherwise Id be late for all my appointments.

 You can make some mistakes and still get things done. Harry Crumb, like any other number of John Candy characters, has a sense of humor about who he is and is comfortable in his own skin. A quarter Crumb it is.

 John Maclean – “Die Hard”

Come out to the coast, well get together, have a few laughs... “Come out to the coast, we’ll get together, have a few laughs…”

John Maclean is the thorn in the side of the bad guys, is able to get through some pretty bad Christmases,  and cannot be killed, no matter how many times you try to throw him off the Nakatomi building.  He is a modern day bugs bunny. Keep the last piece of the pie for John.

Spring brings us back around…

Filed under: Uncategorized | Tags: | March 13th, 2010

I’ve been really lax on the blog front, between putting down a new floor in the house and all the nonsense that goes along with life, I’ve been a little removed from putting my thoughts down as text (or as music for that matter).

All that being said, the coming months are going to be great for The Longwalls. Our EP, “Dark Academy”, is on the verge of being released, and as soon as we get the vinyl back from printing, it will be available on staticmotor for the masses. Right now, there are a few sample tracks, but more to come soon. We have a couple of radio spots, one an interview and the other a live performance next month, and then in May we have our release party with some other great bands on the 1st….really psyched for all of it and am really happy with the way the record turned out. Could not have had it turn out so well without all the collaboration within the band…I think it’s by far the most cohesive and collaborative release we’ve had so far and it really comes through in the level of craft that you can hear in the music…

I may have stalled on writing new songs lately, but I have plenty to focus on, like getting you to listen to what we’ve just written and recorded. If you are in the Boston area, look out for us in the coming months, I am going to do my best to by all up in your grill. :)